Abdul Abdullah -And the Portugese and the Dutch

$32,500.00

"On my mother’s side, my Bugis ancestors were exiled from Sulawesi in 1668, before settling near the west coast of the Malay peninsula in a place called Linggi. Since then generations of my family have waged wars with the Dutch, the Portuguese and the British. On my paternal side in 1815, an ancestor called Charles Blinman was caught in London stealing two stamps and a watch chain and was transported to the penal colony in Australia. In many ways my family lineage was forged by aggressive European colonial expansion, and I as a descendant of these lineages am a by-product of that. As a Muslim growing up in Australia, I felt an ongoing, accumulative sense of alienation and otherness that was compounded by the events of 9/11 and the subsequent invasions of Iraq and Afghanistan. As I grew and discovered the work of Franz Fanon, Albert Memmi, bell hooks and Karen Armstrong, I better understood our history. I understood the cycles of violence that were foreshadowed by the projection of criminality and monstrosity on innocent bodies, to justify the unjust seizure of land, resources and labour. I understood the colonial project and what it had done in Asia, the Pacific, Africa and the Americas. I learned about the anti-colonial and self- determination struggles, and how they were recontextualised and domesticated by Cold War politics. The world opened up to me. I listened to a podcast about Kurdish resistance fighters listening and singing along to Italian anti-fascist songs from World War 2 and Irish Rebel Anthems. They played the Wolf Tones’ ‘Go on home, British soldiers’, and it made sense."

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"On my mother’s side, my Bugis ancestors were exiled from Sulawesi in 1668, before settling near the west coast of the Malay peninsula in a place called Linggi. Since then generations of my family have waged wars with the Dutch, the Portuguese and the British. On my paternal side in 1815, an ancestor called Charles Blinman was caught in London stealing two stamps and a watch chain and was transported to the penal colony in Australia. In many ways my family lineage was forged by aggressive European colonial expansion, and I as a descendant of these lineages am a by-product of that. As a Muslim growing up in Australia, I felt an ongoing, accumulative sense of alienation and otherness that was compounded by the events of 9/11 and the subsequent invasions of Iraq and Afghanistan. As I grew and discovered the work of Franz Fanon, Albert Memmi, bell hooks and Karen Armstrong, I better understood our history. I understood the cycles of violence that were foreshadowed by the projection of criminality and monstrosity on innocent bodies, to justify the unjust seizure of land, resources and labour. I understood the colonial project and what it had done in Asia, the Pacific, Africa and the Americas. I learned about the anti-colonial and self- determination struggles, and how they were recontextualised and domesticated by Cold War politics. The world opened up to me. I listened to a podcast about Kurdish resistance fighters listening and singing along to Italian anti-fascist songs from World War 2 and Irish Rebel Anthems. They played the Wolf Tones’ ‘Go on home, British soldiers’, and it made sense."

"On my mother’s side, my Bugis ancestors were exiled from Sulawesi in 1668, before settling near the west coast of the Malay peninsula in a place called Linggi. Since then generations of my family have waged wars with the Dutch, the Portuguese and the British. On my paternal side in 1815, an ancestor called Charles Blinman was caught in London stealing two stamps and a watch chain and was transported to the penal colony in Australia. In many ways my family lineage was forged by aggressive European colonial expansion, and I as a descendant of these lineages am a by-product of that. As a Muslim growing up in Australia, I felt an ongoing, accumulative sense of alienation and otherness that was compounded by the events of 9/11 and the subsequent invasions of Iraq and Afghanistan. As I grew and discovered the work of Franz Fanon, Albert Memmi, bell hooks and Karen Armstrong, I better understood our history. I understood the cycles of violence that were foreshadowed by the projection of criminality and monstrosity on innocent bodies, to justify the unjust seizure of land, resources and labour. I understood the colonial project and what it had done in Asia, the Pacific, Africa and the Americas. I learned about the anti-colonial and self- determination struggles, and how they were recontextualised and domesticated by Cold War politics. The world opened up to me. I listened to a podcast about Kurdish resistance fighters listening and singing along to Italian anti-fascist songs from World War 2 and Irish Rebel Anthems. They played the Wolf Tones’ ‘Go on home, British soldiers’, and it made sense."

Artist name Artwork title Dimensions (size & weight) Type & Medium Gallery
Abdul Abdullah And the Portugese and the Dutch 198cm x 162cm Painting/Print Yavuz Gallery

All funds raised will go to the artist and to the Australian Marine Conservation Society who are helping fight the effects of climate change on our oceans. Many thanks to the representing gallery in support of this art prize.

Abdul Abdullah is represented by Yavuz Gallery